Korean leadership in masquerade

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Korean leadership in masquerade

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Not exactly the most reliable person in the neighborhood, he one day drinks stream water at a mountain park, and imbibes the fluorescent-blue substance that had just landed in a meteor from outer space.

Pronto, Seok-heon becomes imbued with psychokinetic powers, able to first lift a lighter and a box of matches without touching them, then to fly through the air and crush an automobile like a gigantic vise. Crass and inconsiderate, he instantly hatches a scheme to haul bucket-loads of dough as Korea's new David Copperfield, until he learns that his divorced wife died in a suspicious circumstance.

Korean leadership in masquerade

She suffered a fractured skull fighting off corporate-employed thugs trying to evict his daughter Rumi's Shim Eun-gyeong, Miss Granny successful fried chicken restaurant from a building purchased for redevelopment.

Seok-heon reluctantly becomes a human weapon against the company thugs to help his straight-laced daughter, but neither the law nor the media is willing to buy his story that he is some kind of a homespun superhero.

Korean leadership in masquerade

Yeon Sang-ho, after dominating the summer box office with the zombie blockbusters Train to Busan and Seoul Stationhas returned to a SF fantasy subject matter. He also switched the tone to emphasize comedy and slapstick, even though a certain level of anti-social impulse from his previous films is retained.

The motion picture, distributed outside of Korea by Netflix, was panned by critics and internet wags but managed to collect approximately thousand tickets, a middling score for a domestic genre film. Taking into account the fact that South Korean film industry is not particularly adept at any kind of science fiction-inflected narrative, Psychokinesis is not badly made.

Of course, those expecting something on the order of Spider-man: Ragnarok should scale down their expectations.

Yeon is not particularly good with Hollywood-style CGI effects the flying sequences are embarrassingly cut-ratebut there are scenes in which the physical effects combined with elaborate stunt action supervised by Heo Myung-haeng and Jeong Jin-geun of the Seoul Action School generate the desired emotional reaction from the viewers.

Ryu Seung-ryong has been accused of being too goofy in his scenes of exerting himself to dredge up his psychokinetic powers he looks ready to poo in his pantsbut I did not find them particularly annoying: And there are plenty of dumb stuff going on in multi-hundred-million-dollar Hollywood projects like Guardians of the Galaxy or Green Lantern, too.

Think of it as a contemporary, faster-paced, East Asian take on The Greatest American Hero TV series they share the scenes of the protagonist pawing the air trying to fly expertly like, you know, Superman then you got the right groove.

For me, the movie would have worked many times better and probably reached out to a larger share of domestic viewers if Shim Eun-gyeong's Rumi or at the very least, her fussy-nice lawyer friend Jeong-hyun [Park Jeong-min, Dongju: The Portrait of a Poet] was the one endowed with superpowers.

Why does her father, who had not displayed a shred of concern for her life before the movie begins, have to be the one with these abilities?

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More films are now finding their way to the big-screens internationally, as well as the growing market for video-on-demand. Select metropolitan areas will also get popular releases, even as far as being covered frequently by major outlets such as Variety and The Hollywood Reporter.

So that the viewers could tear up seeing him learning the hardship his child had to put up with, and ultimately transforming himself into a politically conscious anti-chaebol activist?

Even though this "paternal redemption" story is essentially the same narrative engine that propelled Train to Busan, that film had a bunch of truly interesting supporting characters and layers of story elements brilliantly orchestrated by the director. Psychokinesis, much simpler and linear in plot, is deprived of this support structure.

Casting Ryu Seung-ryong in the role of the father only compounds the problem. Again, I have little problem with the actor, who is certainly one of the more earnest character actor-stars working in Korea today and superb in such subtler roles as the minister in Masquerade [] and the conflicted detective in Possessed [].

But the character of Seok-heon is frankly a callous scoundrel, and Ryu, looking like a bull-hound with a bad stomach problem, cannot project any charm or sociable qualities.

He merely acts very hard, his comic acting, I reiterate, is not as terrible as internet critics are blasting about but is ultimately defeated by the shallow characterization.

Indeed, it is a sign of a talented filmmaker stuck with a stale conception of the "good guys" in a story of good-triumphs-over-evil, when the villains of the piece-- "president" Min Kim Min-jae, The Truth Beneaththe boss of the service company read: Hong, the head villain, is actually the most interesting, if not the most complex, character in the whole movie.

Quite pretty and mad as a hatter, she is an intriguing combination of a Gangnam-style, chi-chi superficiality and a deeply sociopathic ego, a sort of merrily chatty female version of Ernst Stavro Blofeld. It was an inspiring move on Yeon's part to cast the beautiful but off-kilter Jeong as Deputy Hong.

Her reaction to Seok-heon smashing her BMW and flying out of the police station is priceless: Psychokinesis is not a terrible film: I can think a number of ways in which it could have gone much worse insisting on being dourly "serious" would certainly have been one of them.

On the other hand, it is demonstrably less powerful or creative than Yeon's previous works. I have enjoyed the movie for what it is, a middling SF fantasy with a light tone most clearly exemplified by a silly TV-commercial-style denouement.Masquerade and Korean Leadership Styles Tuesday (3 July) Steel Rain and Reunification.

2 Wednesday (4 July) New World and Social Justice Thursday (5 July) Sunny and Korean Teenager.

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Review of Korean epic Masquerade starring Lee Byung-hun