To be included on the 7th Annual Honor Roll, Seneca Valley School District had to, sinceincrease the number of students participating in AP while also increasing or maintaining the percentage of students earning AP Exam scores of 3 or higher.
Environment Change is the one constant today in media. The past year has seen new content sharing deals, new platforms receiving funding for public media content, and traditional platforms evolving to retain audiences.
The NZ Media Fund, from 1 Julyallows us to be flexible and responsive to the changing environment. Finding the audiences To measure the success of funded content we must understand how to measure audience numbers.
There is currently no one accepted methodology for aggregating audiences across different media. For example, the way video views are counted on television on demand sites, on websites, and on social media vary hugely.
NZ On Air is developing reporting writing an annual report to ensure we can consistently measure audience size. In music, streaming use continues to grow exponentially, but the challenge for local artists is to cut-through in an environment where global players control the local music streaming market.
Discussions around a new commitment or Code for commercial radio are continuing and a new Code agreement should be in place by the end of with some new initiatives.
Focus on diversity We monitor the diversity of the screen sector in above-the-line roles.
For content to be authentic and reflect our diverse society, it needs to be made by a diverse range of people, both in terms of gender and ethnicity. In we published the second of our Diversity reports, which showed women continue to be well-represented as producers and now as writers, but are still under-represented as directors.
We support an initiative with the Directors and Editors Guild which places new directors with experienced directors for mentoring on a television project.
We asked that priority be given to righting the gender imbalance; all three director attachments during the year were women. Content diversity is affected by the commercial realities of mainstream media.
Local content on television The 28th Local Content Report showed local content overall was up in the year by 2. The lines between television and online content are becoming very blurred. It is now about the right content for the right platform, reaching the relevant audience. For example the void left by current affairs on television is now being filled by long-form investigative audio visual journalism online.
Content sharing agreements are now common, resulting in funded content reaching larger audiences on multiple platforms. Due to the changing landscape we will stop producing the Local Content Report about television, and instead focus on reporting our outcomes across all platforms.
Television Producers and broadcasters continue to innovate to find new ways to engage audiences. The multi-night event What Next? A complex production, it achieved critical acclaim, strong audiences, and prompted a national conversation.
It showed how a live broadcast can be enhanced by multimedia interaction. Meanwhile Country Calendar continues to show that clever story-telling and beautiful NZ scenery still draws big audiences, with an average audience ofeach week. Farming was the focus of another of the most-watched programmes.
They were well received — this one alone was watched byviewers. On Prime, Making Good Men was a powerful insight into bullying and violence. Not only did it have an impact on the television audience, but it has been requested on DVD by about schools and anti violence groups.
Opportunities for specialist documentary and current affairs are growing for online platforms. Alongside three television political current affairs series, we supported a number of online projects including Christchurch Dilemmas, Last Of The Few, and Under The Bridge.
Only one drama, the excellent six part-series, Hillary, made it into our Top This demonstrates how difficult it is for local drama to cut through.
Linear television drama is competing against a record high volume of international content, made with significantly larger budgets, and the preference of many audience members to binge-watch series. We invested in drama at the same level as previous years but missed our hours target because we chose to support higher cost-per-hour shorter series and telefeatures.
New Zealanders love true life stories such as Doubt: The Scott Watson Case, a docu-drama on a well-known murder mystery; and Resolve, the moving story of courage in the face of gang violence which screened to a broadcast audience ofand a furtheron demand within the first 10 days.
Unsurprisingly for this age group, it attracted more viewers on demand than on linear broadcast.A report is a document which brings significant and reliable information to the limelight of management of the organization. A Report writing is an essential skill for a business person in any field like accounts, teachers, scientists, doctors, graphic designers, managers etc.
Basically a report is meant to describe a situation as clearly and succinctly as possible. The annual report to shareholders is a document used by most public companies to disclose corporate information to their shareholders.
It is usually a state-of-the-company report, including an opening letter from the Chief Executive Officer, financial data, results of operations, market segment information, new product plans, subsidiary activities, and research and development activities on.
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We’ve asked bloggers to tell us how they do it. How long is a typical blog post? What does it include? How is it promoted? Here is the complete report of blogging statistics, trends and insights, showing what bloggers are doing and what works now.
But first, a quick highlight reel from February Warby Parker turned two years arteensevilla.com learned how to verbalize pronouns, wash our own hands, and draw a vertical line. March We launched the Citizen’s Circus at SXSW in glorious arteensevilla.com days of music, active citizenship, local beer, and yurts.